"Anne, whatever are you thinking of?" demanded Marilla sharply.
Anne came back to earth with a start.
"That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--"and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing-- propped her chin on her hands, and fell to studying it intently for several silent minutes.
"I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same way poetry does. `Our Father who art in heaven hallowed be Thy name.' That is just like a line of music.
Oh, I'm so glad you thought of making me learn this, Miss-- Marilla." "Well, learn it and hold your tongue," said Marilla shortly. Anne tipped the vase of apple blossoms near enough to bestow a soft kiss on a pink-cupped bud, and then studied diligently for some moments longer.
"Marilla," she demanded presently, "do you think that I shall ever have a bosom friend in Avonlea?" "A--a what kind of friend?" "A bosom friend--an intimate friend, you know--a really kindred spirit to whom I can confide my inmost soul. I've dreamed of meeting her all my life. I never really supposed I would, but so many of my loveliest dreams have come true all at once that perhaps this one will, too. Do you think it's possible?" "Diana Barry lives over at Orchard Slope and she's about your age. She's a very nice little girl, and perhaps she will be a playmate for you when she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest.
"What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up.
But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it.
"Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken.
Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice.
She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there.
It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there."
